In my first month in England, I remained very much connected to Lima not only through affection ties but through work commitments. And I cannot stress enough that work commitments are not mere formality by which I finance my everyday living costs, but they are fundamentally the energy, food and motivation of my life. I wake up every day and think about the artworks I need to think about, the pending conversations with artists and new space configurations are the essences of my daily life, and I would not change it for a bit. This November 2020 has been full of changes for the curatorial dynamics adopted in the last few months. As a result of the digitalisation of contents and exhibitions, I have - like many others - completely embraced the internet, digital video calls, the zoomification of conversations and celebrated platforms like Hotglue like never before. Whilst I have worked intimately and closely with net and web-based work for the last five years, these recent months proved a celebration of the way I cherish and look at the internet for answers. Since March, I have carried out digital installations and web programming as accompanying tasks to my curatorial research endeavours. In September, I participated in the first physical installation of art pieces under the work carried out for Marisabel´s project DAFFPDSE. It was fantastic, Marisabel's work not only looked great in the party venue but also made sense in every single way. The slow return to tactile life and objecthood made sense with her proposal to think a large scale diversity of objects produced as everyday life products, which could easily be acquired by online customers.